30 grader i februari, by Andreas Söderström och Johan Berthling

30 grader i februari

by Andreas Söderström och Johan Berthling

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1.	Resumé 02:16	buy track
2.	Vinjett 01:39	buy track
3.	Glen speeddejtar 02:40	buy track
4.	Mai Pen Rai 01:28	buy track
5.	Majlis möter Joy 01:40	buy track
6.	Den bästa stunden på hela dagen 02:18	buy track
7.	Rat U Thit Road 01:45	buy track
8.	Joy & Pong tema 01:39	buy track
9.	Open water 03:30	buy track
10.	Dit & Oh 01:47	buy track
11.	Kwam Suk 04:27	buy track
12.	I'm not gonna dump you 02:30	buy track
13.	Glen får stryk 02:45	buy track
14.	Bella 02:28	buy track
15.	Kent 02:36	buy track
16.	Glen hittar Oh 02:58	buy track
17.	Familjen är samlad 01:16	buy track
18.	Stjärnorna 02:53	buy track
19.	No matter what 02:33	buy track
20.	Bengt 01:33	buy track
21.	Bangla Road 07:26	buy track
22.	Stormen 02:33	buy track
23.	Flykt 03:02	buy track
24.	Efter stormen 02:20	buy track
25.	Kajsa 02:36	buy track
26.	Slut 03:27	buy track

about

During the early stages of writing the script for 30 Grader i Februari (30 Degrees in February), I listened to ASS and Tape a great deal but hadn't given much thought at the time as to who was to compose the soundtrack.

With four different directors, three photographers, and a number of episode writers, it quickly became clear that music would have an extremely significant role in creating the continuity we were after; a collision between East and West, Thailand and Sweden, heat, humour and tragedy.

I was thrilled that Andreas Söderström and Johan Berthling were keen to compose the soundtrack to the drama series. We talked early on about creating a suitable atmosphere that landed somewhere between Thai Luuk Thung and Swedish folk music. It was also important that the music contributed to moving things forward, right through to the approaching storm at the end.

In a film setting, where music is often created with the synths and the occasional electric guitar, it was amazing to experience Johan and Andreas' music, which was composed exclusively using acoustic instruments, some of them home made, others imported from Southeast Asia.

When things fall into place, you tend to see it much later. This time was no exception. The hours we spent in the studio have been some of my happiest and most fulfilling moments during the two and a half years of work on 30 Grader i Februari.

Anders Weidemann
Stockholm, March 4, 2012

credits

released June 20, 2012

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Kning Disk Gothenburg, Sweden

Kning Disk presents first-rate, limited editions and various kinds of presentations where innovative composers of yesteryear shares space with the kindred spirits of the groundbreaking artists, designers and writers of tomorrow.

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